In its 170 years, Auburn has had a multitude of myths populate across campus, some more infamous than others. Nine of these have been compiled for your consumption, ranging from sports traditions to secret tunnels.
For almost 150 years, horror author Robert W. Chambers' "The King in Yellow" has entrapped the minds of artists and readers alike. No matter where you turn, this collection of short stories has served as inspiration across the arts, from books to video games to television, while its namesake entity lurks, silently watching from the shadows.
In "Predator: Badlands," writer-director Dan Trachtenberg does away with the traditional cat-and-mouse structure of a Predator film, focusing instead on a buddy-cop adventure film with no human characters. While certainly an ambitious venture, this attempt at humanizing the Predator takes away from the aura of mystery that made the monster so iconic in the first place. For the first time in the history of the series, our titular Predator is given a name — Dex — and daddy issues.
There are films that entertain, and there are films that haunt you long after the credits have rolled. "The Place Beyond the Pines" belongs unmistakably to the latter. Derek Cianfrance’s third feature is not merely a story about men and their choices; it is a meditation on legacy, guilt and the invisible threads binding fathers and sons across time.
Under the watchful eye of the EPA, a toxic stew of industrial and human waste has been spread into the water and food supply. This practice has been normalized, legalized and mandated. They have the gall to call this “eco-friendly.”
