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A spirit that is not afraid

Jacob Cole / STAFF WRITER


The Auburn Plainsman
News

Reel Review: Twilight 'New Moon'

Director Chris Weitz fails to bring anything aesthetically captivating to his work on "New Moon," the second entry in the "Twilight" saga; compared to Catherine Hardwicke's slimy blue color timing and queasy camera movements; however, his direction is as exciting and breathtaking as Scorsese's.That's more or less where the positive aspects of this film end, sadly, as "New Moon" is an arduous slog through a mythology that seems as long as a round-trip to Mordor in real-time.Codependent protagonist Bella (Kristen Stewart) is still in chaste bliss with vampire hunk Edward (Robert Pattinson), though her impending 18th birthday reminds her that she ages, while Edward remains eternally young.Naturally, she suffers nightmares of being an old lady chained to her eternally teenaged beau, which Edward believes is a bit obsessive (it is important, here, to remember the relativity of perception).His vampire family invites Bella over to celebrate, she cuts herself on the birthday card, yadda yadda yadda, and tensions (and appetites) are stoked.Edward decides to leave, to where he does not say, nor did I ask owing to an old saying about gift horses and mouths.

The Auburn Plainsman
News

'A Serious Man' a Mature Film

Throughout their careers, Joel and Ethan Coen have drawn heavily upon the work of grotesque moralist Flannery O'Connor. Black humor, bleak outlooks on humanity, many of the Coens' central themes can be traced back to O'Connor.Except, that is, O'Connor's spirituality: the Coen brothers have a decidedly anti-humanist streak and, barring the Hell imagery of "Barton Fink," have never really dabbled in the spiritual side of things. "A Serious Man" seeks to rectify this, and the Coens' retelling of the story of Job brings their work closer to O'Connor's oeuvre than ever before.Opening with a made-up Yiddish folk tale about a man who may or may not have invited a dybbuk (a corpse possessed by a wandering spirit) into his home, "A Serious Man" wastes no time taking stock of and poking fun at the brothers' storytelling conceits.Once the story cuts to its present, in 1967 Minnesota, the film reveals itself to be at once the Coens most autobiographical film and something that reaches far beyond,.Though quite a lot happens to Larry Gopnik (Michael Stuhlbarg) throughout the film, "A Serious Man" contains little in the way of story, and one could sum it up simply: a mild-mannered man suffers countless hardships and slowly comes undone.His wife informs him she wants a divorce out of the blue, work becomes more stressful as he frets over whether he will receive tenure, his redneck neighbor starts to build right on the property line and someone keeps calling from the Columbia Record Club to ask why Larry hasn't paid for records he never ordered.

The Auburn Plainsman
News

'Black Dynamite' Positive Parody

In general, parodies only work if the creator loves whatever is being parodied (mocking that hate is satire).That's certainly true of "Black Dynamite," a loving homage to the low production values of the blaxploitation genre.Its star and co-writer, Michael Jai White, clearly sat down with a stack of DVDs and a notepad, and the result is the finest parody film since Shaun of the Dead.White plays Black Dynamite a combination of Richard Roundtree and Jim Kelly, a street savior dedicated to keeping the ghetto clean who just so happens to know kung fu.When the mob kills his brother, however, all hell breaks loose.BD gets what information he can from his old CIA buddy-cum-policeman O'Leary (according to the plaque on his desk, he has neither a title nor a first name), though most of their conversations involve hysterically over-expository background details of their time in 'Nam.With the perfunctory warning that O'Leary won't tolerate a street war no matter how close their bond, Black Dynamite leaves the station and, without hesitation, starts a street war.White, 41, has been a character actor for years, with a resume that's bound to include at least one film you've seen, though I can't match the same face across any two of them.With "Black Dynamite," though, he has a role that will finally turn him into a recognizable star.

The Auburn Plainsman
Columns

New Jay Leno show does not fulfill revolution hype

Horror Has a Chin: My Week with the Jay Leno Show.After a summer of promotion so staggeringly ubiquitous that even its host introduced it as "overhyped," "The Jay Leno Show" debuted last week.Did it live up to the network hype promising some sort of revolution by bringing comedy to the drama-heavy 10 p.m.

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